Jessi Eoin
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A digital illustration of two fat white people embracing in a passionate kiss inside a cathedral with stone walls and columns and a wood planked floor. The person on the left is wearing a long, golden yellow dress and has long, flowing red hair, pale skin, and a prominent birthmark on her face over her eye and cheek. She has one hand pressed to the chest of the person she's kissing. The person on the right is a wheelchair user with a deep purple, short-backed, athletic chair with a silver sword attached to the back. The sword has a rose pink flower and green leaves engraved on the hilt. The person themself is wearing silver armor underneath a blue cloak with white fur at the neck, elbow, and calf, adapted for wearing in a chair while fighting. They have long, wavy brown hair, half tied back in a braid and a dusting of freckles all over their skin. They hug the person on the left, gripping the person's shoulder. In the background, there are two Norman style windows with colorful stained glass. Both designs show a femme person wearing a long pink dress with white wings and a golden halo, holding a piece of lavender that's pointed at the lovers. The person depicted on the left window is Black with black hair, and the other is white with blonde hair. The background of each window is set with the colors of the trans pride flag of pink, white, and blue. There are yellow and white stars all around each. At the bottom left corner is a small brown box with Jessi's name in it.

The Last Hour, But Make It Gay

Illustrations

The Last Hour, But Make It Gay. December 2022.

Queer homage to the 1912 piece The Last Hour by Florence Susan Harrison.

More from the Portfolio

Cropped cover of a colorful digital illustration of a fat, nude white person with herb tattoos and straight blonde hair standing in front of a wall completely covered with purple leaves and red-orange flowers. They cradle a brown and white ferret to their chest and smile peacefully with their eyes closed. A flower crown full of flowers and leaves and berries rests on their head, and light casts soft shadows all around the piece.
Floral Ferret
July 3, 2023
A black and white comic with four, slightly overlapping panels that start as a square at the top and gradually turn into a circle on the bottom. There's text at the top right that reads, "Gardening. Jessi Eoin." There's an illustration of a watering can underneath it that sprinkles water over some seedlings. To the left of the panels, there's an elaborate drawing of a long flower with multiple blooms all up and down the stem. The panels show Jessi, a fat white AFAB person with shoulder-length hair as they walk through the steps of medically transitioning and growing a beard on their face. The first panel shows Jessi looking at their face in the mirror, hand to cheek. The second panel shows them using a watering can to water their face. The word "water" is written next to them. The third panel shows Jessi sprinkling seeds on their face with the word "seeds" written next to them. The fourth and final panel shows Jessi with longer hair now and a beard as they make a heart with their hands and look up, smiling. The word "glow" is written next to them with some sparkles.
Gardening
July 31, 2022
A colorful illustration of the curve of a person's rolls and belly and their right breast. The person's hand, which shows that they have polydactyly with an additional pinky, is resting lightly on their belly which is covered in long, jagged stretch marks and dimpled by cellulite; the nails are painted a very pale shade of yellow. All over the body, which is drawn in black and white, are crocus flowers blooming in vibrant purple petals with yellow stamens and bright green leaves, all of the flowers seeming to grow toward the person's round nipple which is yellow like the sun. Also all over the body are heaps of freckles, acne, and small, round scars. Between the space made from the person's right arm and their torso is a bright yellow background.
Crocus Mother
August 1, 2019
Cropped version of a digital illustration showing a fat, nude person with brown skin sitting up in bed, working on their laptop. They wear a face mask in the colors of the trans pride flag, and they have tattoos of dark green leaves vining up their upper arms. Their long dark braid has a streak of white. There are plants on the ground, on a shelf & window sill, & hanging from the ceiling. All around the room, we see more signs of their being disabled: medications, a water bottle, cough drops, tissue paper, & a mug of tea all rest on their nightstand. There's a pink cane behind that. A support bar is attached to their bed. Their bedspread is peach & yellow hues. Their nightstand is pink, & the wall is yellow. Behind them, a window shows trees & a bird peering in from a bird feeder. Framed photos adorn the wall with happy images of loved ones. On the shelf with the plant, there are two small dinosaur figurines, and on the carpet, there's a purple cat face-shaped rug with a pair of fuzzy blue slippers on it. A black and white digital illustration of two fat Black people standing close together, holding hands, and eying each other lovingly as they stand next to a lily plant with two flowers atop a long stem. The woman on the left has on a medieval style dress with long, ornamental sleeves and a flowing skirt; she uses a wooden cane, and her hair is worn natural, forming a triangular shape with all her curls. The nonbinary person on the right is wearing a tunic and hose over their chain mail armor, as well as a long, flowing cape and pointy shoes. The hood is up, framing their face and hair in twists as it cascades down to their shoulder. They look bashful while the woman looks at them fondly. In the background, there are fruiting orange trees in the distance, and they're surrounded by heavily textured grass. On the bottom left, there is a parchment-like banner with the title of the piece and Jessi's name on it.
Jessi Eoin 2023 ©
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