Jessi Eoin
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A black and white illustration of a fat witch with wavy dark hair cropped to their chin sitting cross-legged as they smile at a tarot card in their hand that has floated up from a stack of cards being magically lifted. The witch is wearing big, round glasses under big eyebrows, a loose, striped sweater, and a comfortable skirt, as well as a curious looking necklace in the shape of what may be a potion bottle and one sock. Their other leg without a sock on its foot is a prosthesis from the knee down. In front of them on the rug they sit on is a set up that looks to be for a magical ritual of some sort, and it includes a round, wooden bowl filled with a mysterious substance, an empty, clear vial next to a crystal wand, several dried plants, and many lit candles, one of which is being sniffed by a curious, cautious cat. Behind the witch is a pair of short shelves, each containing several books on them, as well as a couple of framed photos of people, a geode, and an animal skull. Atop of each are a few plants: a large potted plant by itself on the left shelves and two smaller potted plants on the right shelf. Both shelves are in front of windows which have light curtains floating inward with a breeze. In the middle of the wall is a clock with roman numerals on it.

Tarot Witch

Illustrations

Tarot Witch. 2018.

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A watercolor illustration titled All Are(n't) Welcome-- the title shows both "All Are Welcome" and "All Aren't Welcome" to emphasize that despite saying all are welcome, in fact all are not welcome. The overall piece is very colorful and bright, with lots of green grass, trees, and pink flowers shown. The piece shows a kind of illustrative map from a sidewalk at the bottom of the page to a colorful park with a playground, chess boards, a duck pond, flower beds, trees, and benches at the top of the page, accessed by a long, winding yellow path. At the park, there is a large yellow sign that reads, "All are welcome at the city park!" There are tall city buildings along the edges of the piece, and all along the path are little blue pop up notifications alerting the viewer to a different issue with the route, as well as a bus stop sign that reads, "No bus" and a bright yellow sun that reads, "90 degrees Fahrenheit." At the bottom, there there are two disabled people looking sad because of the lack of access. One is a Black person using a cane, and the other is a Muslim Person of Color using a wheelchair and wearing hijab. Starting at the bottom and working up to the park, the alerts read, "No ramp or rail. Long distance alert (pointing to a ruler showing the distance as about a mile). No rest. Pot holes (showing holes in the path). Path decay (pointing at completely degraded bits of the path). A block (pointing at a scooter on the path). No rest. No shade.
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A black and white illustration of a wonky witch's hat with lots of flowers on it. Under the hat is text that reads, "Disabled Witches, Art by Jessi Eoin"
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A photo of a black and white illustration of a fat, nude person with long, dark, straight hair lying exhaustedly on a couch in a living room, curling their arms around a pillow under their head. They have a succulent tattoo on their arm that also has the text "succulent" under the plant, and they have lots and lots of rolls and stretch marks and cellulite all over their body, as well as a fair amount of acne on their face and shoulders. Their living room is sleek with large windows and has a handful of plants in it, including a fiddle leaf fig nestled in the corner between the two windows. There are two cats in the piece; one is napping near its human's head in a funny position, upside down and twisted into a kind of C-shape, front paws in the air. The other cat sits quietly on the floor near the human's belly, staring up at its human's face, seemingly observing or maybe judging-- who knows what cats are thinking? Next to the window is a shelf filled with cat toys in a box and a cat-friendly plant on top for the cats to play with. On the floor in front of this is a heap of clothing and a cane, all of which appear to make a line leading to the couch, showing the progressive loss of clothing as the person got closer to the couch. In the foreground is an oval table with a coupe of Craft magazines, a single flower in a vase, and a watercolor painting with paints and brush out. The painting is upside down to the viewer, and it reads "Sleep deeply (and often)." A photo of a black and white illustration of a fantastical setting of rolling hills magically going upward as they go backward, sprinkled with tiny houses and trees throughout. In the midst of the trees and sitting in one of the dips between the hills is a fat, nude, giant person with kinky, dark hair and acne on their face and shoulders sitting peacefully and reading a book in their lap. They have several stretch marks and cellulite on their belly and legs, as well as a scar on their shin. At the top, in the background, is a sun in the middle, surrounded by clouds floating a fish eye perspective to give the piece a fantasy feeling.
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