Jessi Eoin
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A black and white illustration of a fat person with mid length, straight hair lying in bed with a pained expression on their face, scrunching their hands together and up toward their face, and their cellulite-covered legs up and kicking away a blanket as if it were paining them. They have on a crop top that reads, “cute,” baring a midriff full of stretch marks, and a pair of underwear with hearts all over it. Next to them is a fluffy cat with a squashed face peering closely at their human's face, tail in the air. By the person's feet rests an open laptop, showing a video on pause. Their entire room, while filled with lots of botanical prints and nature items, is very stiff and still, without any real movement to it, highlighting the person's attempts to bring life into their room. They have a solitary living plant in their small window framed by monstera leaves fabric, showing a glimpse out onto an empty road framed by tall trees. All around their walls are posters and photos tacked and taped up: one shows a botanical poster with the words "hang on to hope" on it; another has a beach; another is a different kind of botanical poster; and another is a forest scene. Amidst these are also photos of presumed loved ones or past good times. A camera rests high above their bed on a shelf, next to a box labeled "memories." There's a tiny stuffed octopus keychain hanging from the bottom of the shelf. At their bedside, near a large rug with a huge leaf print on it, is a short nightstand with a mug on it and a knocked over prescription bottle at its base on the floor.

Still

Illustrations

Still. April 2019.

Related

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A photo of a black and white illustration of a fantastical setting of rolling hills magically going upward as they go backward, sprinkled with tiny houses and trees throughout. In the midst of the trees and sitting in one of the dips between the hills is a fat, nude, giant person with kinky, dark hair and acne on their face and shoulders sitting peacefully and reading a book in their lap. They have several stretch marks and cellulite on their belly and legs, as well as a scar on their shin. At the top, in the background, is a sun in the middle, surrounded by clouds floating a fish eye perspective to give the piece a fantasy feeling.
Rolling Hills
October 18, 2018
Cropped image of the title page of the comic "New Garden."
New Garden
March 21, 2021
A cropped version of a colorful illustration. Due to its sexual nature, it has two white censor bars across the NSFW (not safe for work) portions with text on it that reads, "NSFW. Click to view uncensored image. Ages 18 and older only."
Pansy
May 1, 2021
A black and white illustration of a nude, fat person sitting up in bed and typing on a laptop with a sketchbook on their lap and a VogMask on their face. Their eyes are smiling, and they look happy. Their dark, wavy hair has a few streaks of white in it, and it's been braided into a thick braid that spills down onto their leaf-tattooed arm, next to their freckled, acne-riddled skin. They have an assistive bar attached to their bed to help with getting in and out of bed, and there is a nightstand next to them filled with a hodgepodge of items: a lamp, a water bottle, a mug of tea with text that reads "fuck off" on it, a roll of toilet paper with a bit sticking out, a pill caddy, a pair of prescription bottles, a couple of Halls cough drops, a curled up charging wire, an extension cord outlet, and a book titled "Sick" by Porochista Khakpour. On the floor is a fluffy carpet, topped with a striped rug with a pair of fuzzy slippers waiting to be used. Above and behind them are several plants, some hanging and some resting on a deep window shelf where we can see outside past the partially closed blinds to see a curious bird perched on a bird feeder and peering inside with a background of pine trees and cloudy sky. Across the wall is a string of twinkle lights hung haphazardly to provide a bit of cheer next to a framed photo of a pair of people engaging happily with one another. A photo of a black and white illustration of a fat witch with achondroplasia using a magical wheelchair that is able to extend itself up to hoist the witch above a very large cauldron filled with a liquid. The witch is smiling as they drop tiny ingredients from their hand into that liquid. The witch has their straight hair tied up in a loose bun, and they're wearing a flowy, cropped shirt that exposes their stretch mark covered midriff, and a flowy, short skirt. On the back of their chair is a botanical blanket, reflecting their environment, which is an indoor space with lots of room and filled with plants of every shape, some hanging from the ceiling in knotted ropes, some resting on a shelf in front of rounded windows, more potted ones sitting on the floor in the background in front of shorter rounded windows, and some sitting potted on the floor in the foreground and peering up from the bottom of the illustration. Near these plants is a desk with a single flower in a clear vase, as well as a couple of sheets of paper and a pencil. The cauldron itself is very textured, and it has a royal looking sigil on its side, as well as handles. There's wooden door in the background along the same wall as the windows, and it has two hooks on it-- one for little people and one for non-little people. The shorter hook has a cape with a hood hung upon it, and it's next to the handle that is shaped in an old-fashioned style. Through the windows, we can see a forest close by, and in one of the windows above the door, we see a bird eating at a covered bird feeder.
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