Jessi Eoin
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A black and white illustration of a fantastical setting of rolling hills magically going upward as they go backward, sprinkled with tiny houses and trees throughout. In the midst of the trees and sitting in one of the dips between the hills is a fat, nude, giant person with kinky, dark hair and acne on their face and shoulders sitting peacefully and reading a book in their lap. They have several stretch marks and cellulite on their belly and legs, as well as a scar on their shin. At the top, in the background, is a sun in the middle, surrounded by clouds floating a fish eye perspective to give the piece a fantasy feeling.

Rolling Hills

Illustrations

Rolling Hills. October 2018.

Related

More from the Portfolio

A colorful illustration of a scene inside an apartment where a chair is positioned to face an open window where morning light is pouring in. Leaning against the chair is a cane. The room itself shows an art studio. At the window, there is a shelf turned on its side to serve as a shoe holder, and on top are several wooden crates put together to house a variety of colorful inks, packaging materials, and a palette. On top of the crates, level with the window, are several plants-- a potted fiddle leaf fig, a potted pink cyclamen plant, and some white daisies in a vase. There are twinkle lights draped around the window, as well as a single blue curtain. In the corner to the left of the window is a standing lamp tucked behind a peace lily resting on a stool. There's a branch hanging attached to the lamp. To the left of this is a desk where a cacophony of items lie: a painting in progress, a bright and colorful palette, a washcloth covered in paint, a squirrel mug with a stern face, a small potted snake plant, a small potted peperomia plant, water in both a cup and a spray bottle, a computer with a forest landscape screensaver, a keyboard, and a mouse. Underneath the desk is a pink, fluffy rug. Above the desk are two small, floating wooden spice racks serving to hold a converted pink aluminum can holding paintbrushes, a ceramic hedgehog holding tape, a blue container holding a few dried grasses, and a couple of glass potion bottles serving as vases for some pink flowers. Down in front and to the side of the desk, near the chair, is a large snake plant in a blue striped pot.
Morning Stream
February 1, 2020
A colorful illustration of a nude Black femme with long braids, sitting on a blue powerchair while wearing a pink high flow nasal cannula and hugging themself happily with their eyes closed. They're surrounded by the bright green leaves and ruby red anthurium flowers and holding one in their hand against their chest. They have lots of stretch marks on their belly.
Abundance
March 31, 2021
A watercolor illustration titled All Are(n't) Welcome-- the title shows both "All Are Welcome" and "All Aren't Welcome" to emphasize that despite saying all are welcome, in fact all are not welcome. The overall piece is very colorful and bright, with lots of green grass, trees, and pink flowers shown. The piece shows a kind of illustrative map from a sidewalk at the bottom of the page to a colorful park with a playground, chess boards, a duck pond, flower beds, trees, and benches at the top of the page, accessed by a long, winding yellow path. At the park, there is a large yellow sign that reads, "All are welcome at the city park!" There are tall city buildings along the edges of the piece, and all along the path are little blue pop up notifications alerting the viewer to a different issue with the route, as well as a bus stop sign that reads, "No bus" and a bright yellow sun that reads, "90 degrees Fahrenheit." At the bottom, there there are two disabled people looking sad because of the lack of access. One is a Black person using a cane, and the other is a Muslim Person of Color using a wheelchair and wearing hijab. Starting at the bottom and working up to the park, the alerts read, "No ramp or rail. Long distance alert (pointing to a ruler showing the distance as about a mile). No rest. Pot holes (showing holes in the path). Path decay (pointing at completely degraded bits of the path). A block (pointing at a scooter on the path). No rest. No shade.
All Are(n’t) Welcome
July 1, 2019
A black and white illustration of a wonky witch's hat with lots of flowers on it. Under the hat is text that reads, "Disabled Witches, Art by Jessi Eoin"
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