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A black and white illustration of a person with long, kinky hair lying in bed with a wrist brace on, blanket pulled up to their face, exposing just their hand resting on their pillow and their eyes, fast asleep. To their left is an air humidifier going and billowing soft clouds of water vapor into the air that floats toward them slightly. On the floor is a thin carpet, topped with a very fluffy rug under their bed; spilled over the rug and carpet are a pair of used socks, a smartphone that looks like it fell out of their hand while sleeping, a sweater with a spoon on it, and a pair of shorts crumpled at the foot of the bed. There's a tall bookshelf across from the bed, where lie several books on multiple shelves, a plant whose leaves cascade down, some storage boxes, and a large amethyst geode that serves as a planter for a succulent. Behind the shelves is a potted snake plant resting on a three-legged stool with a lacrosse ball at the base of its legs. Leaning against the wall and under the heavily curtained window, there is a cane, and above that, partially hidden by the curtains, is another potted plant, sitting in the window sill where we can see a flurry of rain or snow out the window. A single line of stringed twinkle lights is hung in a romantic, casual way, and they're glowing softly. Finally, tucked behind the bed on the right, is a large fiddle leaf fig tree, peeking out from the edges of the illustration and reaching toward the window. Everything in the piece is partially hidden by something else in the piece, a reference to the illustration's theme of "Invisible Illness."

Hidden

Illustrations

Hidden. March 2019.

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A cropped version of a colorful illustration. Due to its sexual nature, it has two white censor bars across the NSFW (not safe for work) portions with text on it that reads, "NSFW. Click to view uncensored image. Ages 18 and older only."
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A close up of the piece Winter Flower: Honeywort.
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A photo of a black and white illustration of a fat person with mid length, straight hair lying in bed with a pained expression on their face, scrunching their hands together and up toward their face, and their cellulite-covered legs up and kicking away a blanket as if it were paining them. They have on a crop top that reads, “cute,” baring a midriff full of stretch marks, and a pair of underwear with hearts all over it. Next to them is a fluffy cat with a squashed face peering closely at their human's face, tail in the air. By the person's feet rests an open laptop, showing a video on pause. Their entire room, while filled with lots of botanical prints and nature items, is very stiff and still, without any real movement to it, highlighting the person's attempts to bring life into their room. They have a solitary living plant in their small window framed by monstera leaves fabric, showing a glimpse out onto an empty road framed by tall trees. All around their walls are posters and photos tacked and taped up: one shows a botanical poster with the words "hang on to hope" on it; another has a beach; another is a different kind of botanical poster; and another is a forest scene. Amidst these are also photos of presumed loved ones or past good times. A camera rests high above their bed on a shelf, next to a box labeled "memories." There's a tiny stuffed octopus keychain hanging from the bottom of the shelf. At their bedside, near a large rug with a huge leaf print on it, is a short nightstand with a mug on it and a knocked over prescription bottle at its base on the floor.
Still
April 11, 2019
A photo of a black and white illustration of a fat witch with achondroplasia using a magical wheelchair that is able to extend itself up to hoist the witch above a very large cauldron filled with a liquid. The witch is smiling as they drop tiny ingredients from their hand into that liquid. The witch has their straight hair tied up in a loose bun, and they're wearing a flowy, cropped shirt that exposes their stretch mark covered midriff, and a flowy, short skirt. On the back of their chair is a botanical blanket, reflecting their environment, which is an indoor space with lots of room and filled with plants of every shape, some hanging from the ceiling in knotted ropes, some resting on a shelf in front of rounded windows, more potted ones sitting on the floor in the background in front of shorter rounded windows, and some sitting potted on the floor in the foreground and peering up from the bottom of the illustration. Near these plants is a desk with a single flower in a clear vase, as well as a couple of sheets of paper and a pencil. The cauldron itself is very textured, and it has a royal looking sigil on its side, as well as handles. There's wooden door in the background along the same wall as the windows, and it has two hooks on it-- one for little people and one for non-little people. The shorter hook has a cape with a hood hung upon it, and it's next to the handle that is shaped in an old-fashioned style. Through the windows, we can see a forest close by, and in one of the windows above the door, we see a bird eating at a covered bird feeder. A photo of a black and white illustration of a fat, nude person with long, dark, straight hair lying exhaustedly on a couch in a living room, curling their arms around a pillow under their head. They have a succulent tattoo on their arm that also has the text "succulent" under the plant, and they have lots and lots of rolls and stretch marks and cellulite all over their body, as well as a fair amount of acne on their face and shoulders. Their living room is sleek with large windows and has a handful of plants in it, including a fiddle leaf fig nestled in the corner between the two windows. There are two cats in the piece; one is napping near its human's head in a funny position, upside down and twisted into a kind of C-shape, front paws in the air. The other cat sits quietly on the floor near the human's belly, staring up at its human's face, seemingly observing or maybe judging-- who knows what cats are thinking? Next to the window is a shelf filled with cat toys in a box and a cat-friendly plant on top for the cats to play with. On the floor in front of this is a heap of clothing and a cane, all of which appear to make a line leading to the couch, showing the progressive loss of clothing as the person got closer to the couch. In the foreground is an oval table with a coupe of Craft magazines, a single flower in a vase, and a watercolor painting with paints and brush out. The painting is upside down to the viewer, and it reads "Sleep deeply (and often)."
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