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A watercolor illustration titled All Are(n't) Welcome-- the title shows both "All Are Welcome" and "All Aren't Welcome" to emphasize that despite saying all are welcome, in fact all are not welcome. The overall piece is very colorful and bright, with lots of green grass, trees, and pink flowers shown. The piece shows a kind of illustrative map from a sidewalk at the bottom of the page to a colorful park with a playground, chess boards, a duck pond, flower beds, trees, and benches at the top of the page, accessed by a long, winding yellow path. At the park, there is a large yellow sign that reads, "All are welcome at the city park!" There are tall city buildings along the edges of the piece, and all along the path are little blue pop up notifications alerting the viewer to a different issue with the route, as well as a bus stop sign that reads, "No bus" and a bright yellow sun that reads, "90 degrees Fahrenheit." At the bottom, there there are two disabled people looking sad because of the lack of access. One is a Black person using a cane, and the other is a Muslim Person of Color using a wheelchair and wearing hijab. Starting at the bottom and working up to the park, the alerts read, "No ramp or rail. Long distance alert (pointing to a ruler showing the distance as about a mile). No rest. Pot holes (showing holes in the path). Path decay (pointing at completely degraded bits of the path). A block (pointing at a scooter on the path). No rest. No shade.

All Are(n’t) Welcome

Illustrations,  Published Works

All Are(n’t) Welcome. July 2019.

All Are(n’t) Welcome. Published with Stonecrop Review in Issue 2: Roots/Routes, February 2020.

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A close up of the piece Fight Where You're Able (And Don't Forget Your Meds).
Fight Where You’re Able (And Don’t Forget Your Meds!)
September 15, 2019
A colorful illustration of the curve of a person's rolls and belly and their right breast. The person's hand, which shows that they have polydactyly with an additional pinky, is resting lightly on their belly which is covered in long, jagged stretch marks and dimpled by cellulite; the nails are painted a very pale shade of yellow. All over the body, which is drawn in black and white, are crocus flowers blooming in vibrant purple petals with yellow stamens and bright green leaves, all of the flowers seeming to grow toward the person's round nipple which is yellow like the sun. Also all over the body are heaps of freckles, acne, and small, round scars. Between the space made from the person's right arm and their torso is a bright yellow background.
Crocus Mother
August 1, 2019
A colorful illustration of a scene inside an apartment where a chair is positioned to face an open window where morning light is pouring in. Leaning against the chair is a cane. The room itself shows an art studio. At the window, there is a shelf turned on its side to serve as a shoe holder, and on top are several wooden crates put together to house a variety of colorful inks, packaging materials, and a palette. On top of the crates, level with the window, are several plants-- a potted fiddle leaf fig, a potted pink cyclamen plant, and some white daisies in a vase. There are twinkle lights draped around the window, as well as a single blue curtain. In the corner to the left of the window is a standing lamp tucked behind a peace lily resting on a stool. There's a branch hanging attached to the lamp. To the left of this is a desk where a cacophony of items lie: a painting in progress, a bright and colorful palette, a washcloth covered in paint, a squirrel mug with a stern face, a small potted snake plant, a small potted peperomia plant, water in both a cup and a spray bottle, a computer with a forest landscape screensaver, a keyboard, and a mouse. Underneath the desk is a pink, fluffy rug. Above the desk are two small, floating wooden spice racks serving to hold a converted pink aluminum can holding paintbrushes, a ceramic hedgehog holding tape, a blue container holding a few dried grasses, and a couple of glass potion bottles serving as vases for some pink flowers. Down in front and to the side of the desk, near the chair, is a large snake plant in a blue striped pot.
Morning Stream
February 1, 2020
A colorful illustration of the curve of a person's rolls and belly and their right breast. The person's hand, which shows that they have polydactyly with an additional pinky, is resting lightly on their belly which is covered in long, jagged stretch marks and dimpled by cellulite; the nails are painted a very pale shade of yellow. All over the body, which is drawn in black and white, are crocus flowers blooming in vibrant purple petals with yellow stamens and bright green leaves, all of the flowers seeming to grow toward the person's round nipple which is yellow like the sun. Also all over the body are heaps of freckles, acne, and small, round scars. Between the space made from the person's right arm and their torso is a bright yellow background. A black and white illustration of a nude, fat person sitting up in bed and typing on a laptop with a sketchbook on their lap and a VogMask on their face. Their eyes are smiling, and they look happy. Their dark, wavy hair has a few streaks of white in it, and it's been braided into a thick braid that spills down onto their leaf-tattooed arm, next to their freckled, acne-riddled skin. They have an assistive bar attached to their bed to help with getting in and out of bed, and there is a nightstand next to them filled with a hodgepodge of items: a lamp, a water bottle, a mug of tea with text that reads "fuck off" on it, a roll of toilet paper with a bit sticking out, a pill caddy, a pair of prescription bottles, a couple of Halls cough drops, a curled up charging wire, an extension cord outlet, and a book titled "Sick" by Porochista Khakpour. On the floor is a fluffy carpet, topped with a striped rug with a pair of fuzzy slippers waiting to be used. Above and behind them are several plants, some hanging and some resting on a deep window shelf where we can see outside past the partially closed blinds to see a curious bird perched on a bird feeder and peering inside with a background of pine trees and cloudy sky. Across the wall is a string of twinkle lights hung haphazardly to provide a bit of cheer next to a framed photo of a pair of people engaging happily with one another.
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