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A watercolor illustration titled All Are(n't) Welcome-- the title shows both "All Are Welcome" and "All Aren't Welcome" to emphasize that despite saying all are welcome, in fact all are not welcome. The overall piece is very colorful and bright, with lots of green grass, trees, and pink flowers shown. The piece shows a kind of illustrative map from a sidewalk at the bottom of the page to a colorful park with a playground, chess boards, a duck pond, flower beds, trees, and benches at the top of the page, accessed by a long, winding yellow path. At the park, there is a large yellow sign that reads, "All are welcome at the city park!" There are tall city buildings along the edges of the piece, and all along the path are little blue pop up notifications alerting the viewer to a different issue with the route, as well as a bus stop sign that reads, "No bus" and a bright yellow sun that reads, "90 degrees Fahrenheit." At the bottom, there there are two disabled people looking sad because of the lack of access. One is a Black person using a cane, and the other is a Muslim Person of Color using a wheelchair and wearing hijab. Starting at the bottom and working up to the park, the alerts read, "No ramp or rail. Long distance alert (pointing to a ruler showing the distance as about a mile). No rest. Pot holes (showing holes in the path). Path decay (pointing at completely degraded bits of the path). A block (pointing at a scooter on the path). No rest. No shade.

All Are(n’t) Welcome

Illustrations,  Published Works

All Are(n’t) Welcome. July 2019.

All Are(n’t) Welcome. Published with Stonecrop Review in Issue 2: Roots/Routes, February 2020.

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A photo of a black and white illustration of a fat witch with achondroplasia using a magical wheelchair that is able to extend itself up to hoist the witch above a very large cauldron filled with a liquid. The witch is smiling as they drop tiny ingredients from their hand into that liquid. The witch has their straight hair tied up in a loose bun, and they're wearing a flowy, cropped shirt that exposes their stretch mark covered midriff, and a flowy, short skirt. On the back of their chair is a botanical blanket, reflecting their environment, which is an indoor space with lots of room and filled with plants of every shape, some hanging from the ceiling in knotted ropes, some resting on a shelf in front of rounded windows, more potted ones sitting on the floor in the background in front of shorter rounded windows, and some sitting potted on the floor in the foreground and peering up from the bottom of the illustration. Near these plants is a desk with a single flower in a clear vase, as well as a couple of sheets of paper and a pencil. The cauldron itself is very textured, and it has a royal looking sigil on its side, as well as handles. There's wooden door in the background along the same wall as the windows, and it has two hooks on it-- one for little people and one for non-little people. The shorter hook has a cape with a hood hung upon it, and it's next to the handle that is shaped in an old-fashioned style. Through the windows, we can see a forest close by, and in one of the windows above the door, we see a bird eating at a covered bird feeder.
Ordinary Afternoon
April 1, 2019
A colorful illustration of the curve of a person's rolls and belly and their right breast. The person's hand, which shows that they have polydactyly with an additional pinky, is resting lightly on their belly which is covered in long, jagged stretch marks and dimpled by cellulite; the nails are painted a very pale shade of yellow. All over the body, which is drawn in black and white, are crocus flowers blooming in vibrant purple petals with yellow stamens and bright green leaves, all of the flowers seeming to grow toward the person's round nipple which is yellow like the sun. Also all over the body are heaps of freckles, acne, and small, round scars. Between the space made from the person's right arm and their torso is a bright yellow background.
Crocus Mother
August 1, 2019
A photo of a black and white illustration of a fantastical setting of rolling hills magically going upward as they go backward, sprinkled with tiny houses and trees throughout. In the midst of the trees and sitting in one of the dips between the hills is a fat, nude, giant person with kinky, dark hair and acne on their face and shoulders sitting peacefully and reading a book in their lap. They have several stretch marks and cellulite on their belly and legs, as well as a scar on their shin. At the top, in the background, is a sun in the middle, surrounded by clouds floating a fish eye perspective to give the piece a fantasy feeling.
Rolling Hills
October 18, 2018
A colorful illustration of the curve of a person's rolls and belly and their right breast. The person's hand, which shows that they have polydactyly with an additional pinky, is resting lightly on their belly which is covered in long, jagged stretch marks and dimpled by cellulite; the nails are painted a very pale shade of yellow. All over the body, which is drawn in black and white, are crocus flowers blooming in vibrant purple petals with yellow stamens and bright green leaves, all of the flowers seeming to grow toward the person's round nipple which is yellow like the sun. Also all over the body are heaps of freckles, acne, and small, round scars. Between the space made from the person's right arm and their torso is a bright yellow background. A black and white illustration of a nude, fat person sitting up in bed and typing on a laptop with a sketchbook on their lap and a VogMask on their face. Their eyes are smiling, and they look happy. Their dark, wavy hair has a few streaks of white in it, and it's been braided into a thick braid that spills down onto their leaf-tattooed arm, next to their freckled, acne-riddled skin. They have an assistive bar attached to their bed to help with getting in and out of bed, and there is a nightstand next to them filled with a hodgepodge of items: a lamp, a water bottle, a mug of tea with text that reads "fuck off" on it, a roll of toilet paper with a bit sticking out, a pill caddy, a pair of prescription bottles, a couple of Halls cough drops, a curled up charging wire, an extension cord outlet, and a book titled "Sick" by Porochista Khakpour. On the floor is a fluffy carpet, topped with a striped rug with a pair of fuzzy slippers waiting to be used. Above and behind them are several plants, some hanging and some resting on a deep window shelf where we can see outside past the partially closed blinds to see a curious bird perched on a bird feeder and peering inside with a background of pine trees and cloudy sky. Across the wall is a string of twinkle lights hung haphazardly to provide a bit of cheer next to a framed photo of a pair of people engaging happily with one another.
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