Illustration

From Bed

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Floral Ferret

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A single page comic illustrated in cyans, blues, yellows, and oranges showing two people sitting together in the midst of an explosion of plants of all varieties. The older person is a fat masculine person with brown skin and long black hair with a few streaks of white in it; wrinkles line their face, and they have a smattering of facial hair along their jaw and upper lip. They wear a colorful orange shirt with abstract flowers and leaves on it, and they have a black, geometrical tattoo on their left upper arm of triangles all in a row next to and stacked atop each other. The child has brown skin and black hair cut short like a bowl cut; they wear a baggy yellow t-shirt with blue jeans and a dark blue belt. They close their eyes as a great big tear wells up. The adult, sitting next to them, places a reassuring hand on the kid's back and gently wipes the tear from their cheek. The adult says, "It never goes away, Felix, but it's always okay to feel sad about it. Eventually, new memories and feelings will grow and ease the pain until it turns into an ache instead of a wound. Love grows side by side with the pain." Felix sniffs and says, "Like these plants?" the adult replies, "Yeah... Like these plants..."

Side by Side

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River God

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A digital illustration of two fat white people embracing in a passionate kiss inside a cathedral with stone walls and columns and a wood planked floor. The person on the left is wearing a long, golden yellow dress and has long, flowing red hair, pale skin, and a prominent birthmark on her face over her eye and cheek. She has one hand pressed to the chest of the person she's kissing. The person on the right is a wheelchair user with a deep purple, short-backed, athletic chair with a silver sword attached to the back. The sword has a rose pink flower and green leaves engraved on the hilt. The person themself is wearing silver armor underneath a blue cloak with white fur at the neck, elbow, and calf, adapted for wearing in a chair while fighting. They have long, wavy brown hair, half tied back in a braid and a dusting of freckles all over their skin. They hug the person on the left, gripping the person's shoulder. In the background, there are two Norman style windows with colorful stained glass. Both designs show a femme person wearing a long pink dress with white wings and a golden halo, holding a piece of lavender that's pointed at the lovers. The person depicted on the left window is Black with black hair, and the other is white with blonde hair. The background of each window is set with the colors of the trans pride flag of pink, white, and blue. There are yellow and white stars all around each. At the bottom left corner is a small brown box with Jessi's name in it.

The Last Hour, But Make It Gay

A fat, queer re-imagining of The Last Hour by Florence Susan Harrison, 1912

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Illustration of Cartoonist Cooperative's mascots, Inkling (an ink bottle) and Nibford (a dip pen) in costumes for Halloween, as drawn by Jessi Eoin. Inkling is dressed as a jack-o-lantern, covered with orange and yellow paint and a leaf on a vine taped to the top of their head. Nibford is dressed as a vampire with a red cloak and fangs. They both dash through a dark wooded area with a full moon in the cloudy sky, and eerie glowing eyes watch as they run past with their trick-or-treat buckets full of candy. An ominous fog creeps toward them from all angles.

Inkling & Nibford Go Trick-or-Treating

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Cartoonist Cooperative Co-op Community Board

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The Cartoonist Co-op's mascots Inkling (an inkpot) and Nibford (a dip pen) work together to point the viewer at a map on a board with text that reads, "You Are Here." The map looks like a convention hall. The pair of them say, "Start here!" together. There's a small welcome bag with a badge on it and papers in it. Text reads, "Welcome Kit." Text to the right of this image reads, "First time here? 1. Join the Forum! Once you join, you'll be given access permission by an admin within two days. 2. Once approved... You can access the Membership Guide (for Members only) and Volunteer Guide. These guides show you how to access all the Cooperative benefits, invite you to the Discord, share important links, and more! 3. Check out and bookmark the Important Links! Here you'll find links to important documents, submission forms, campaign docs, member directory, and so much more."

First Time Here? Guide

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A colorful digital illustration of Jessi Eoin, a fat, white, nonbinary person with wavy brown hair and blue eyes sitting on a purple couch and drawing on a green tablet with an intense look on their face as they focus. They have purple bags under their eyes and furrowed eyebrows. They're wearing a nasal strip across the bridge of their nose, a purple sweater, and a long, blue skirt. Behind them is a yellow pillow, and next to them on the couch is a pair of black and white drawings on papers. One of the drawings shows a queer femme couple walking arm in arm, and the other shows a snake with flowers. Next to the couch is a green peperomia plant in a spotted, turquoise pot. The background is divided into pink and yellow. On the right side, the pink side, is a white balloon showing what Jessi is drawing so intensely: a black and white drawing of a tastefully nude fat person with the word butt on it. On the left side, the yellow side, text appears in shades of purple and pink, handwritten font: "Jessi Eoin. Illustrations and Comics. And Butts."

Self Portrait

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The Beauty of a Lemon 3

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Goddess 2

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A black and white digital illustration of two fat Black people standing close together, holding hands, and eying each other lovingly as they stand next to a lily plant with two flowers atop a long stem. The woman on the left has on a medieval style dress with long, ornamental sleeves and a flowing skirt; she uses a wooden cane, and her hair is worn natural, forming a triangular shape with all her curls. The nonbinary person on the right is wearing a tunic and hose over their chain mail armor, as well as a long, flowing cape and pointy shoes. The hood is up, framing their face and hair in twists as it cascades down to their shoulder. They look bashful while the woman looks at them fondly. In the background, there are fruiting orange trees in the distance, and they're surrounded by heavily textured grass. On the bottom left, there is a parchment-like banner with the title of the piece and Jessi's name on it.

Two Lilies on a Single Stem, But Make It Gay

A fat, queer re-imagining of Two Lilies on a Single Stem by Florence Susan Harrison

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A black and white illustration of a fat, Black person lying in their bed, fast asleep, with their hair protected in a monstera-print silk scarf tied around their head with the knot at the top. They’re lying on their belly with one arm tucked under their pillow with their head turned toward the edge of the bed and their face tucked cozily under their acne-scarred shoulder. They’re sleeping under a leafy blanket, and there’s a hand visible from their partner resting over their belly. There’s a large rug under their bed with a hatched texture and a slightly abstract pattern of leaves and flowers; lying on top of it is their cane and a pair of fuzzy slippers touching the edge of a pair of drawers and shelves behind the bed and under a large window with the striped curtains drawn shut. On the dresser is a variety of items: a letter is loose from its envelope, and it reads “Love You” next to a photo of a pair of people with their arms around one another; some simple jewelry lies in front of the frame, one with a star on it; a daily pill caddy lies nearby, next to several blown out candles with used matches lying next to them; a book titled “Disabled Voices Anthology,” edited by sb. smith; a mug of cold tea; and an alarm clock showing 7:31 AM as the time. Also along the dresser are a couple of fluffy, potted plants (a fittonia and a calathea), as well as a string of twinkle lights that drapes over the edge to trail lightly along the floor next to another potted plant (a snake plant). There’s a final potted plant (a dracaena) in the bottom left corner of the piece on the floor.

Beloved

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A black and white illustration of a fat, nude person with long, dark, straight hair lying exhaustedly on a couch in a living room, curling their arms around a pillow under their head. They have a succulent tattoo on their arm that also has the text "succulent" under the plant, and they have lots and lots of rolls and stretch marks and cellulite all over their body, as well as a fair amount of acne on their face and shoulders. Their living room is sleek with large windows and has a handful of plants in it, including a fiddle leaf fig nestled in the corner between the two windows. There are two cats in the piece; one is napping near its human's head in a funny position, upside down and twisted into a kind of C-shape, front paws in the air. The other cat sits quietly on the floor near the human's belly, staring up at its human's face, seemingly observing or maybe judging-- who knows what cats are thinking? Next to the window is a shelf filled with cat toys in a box and a cat-friendly plant on top for the cats to play with. On the floor in front of this is a heap of clothing and a cane, all of which appear to make a line leading to the couch, showing the progressive loss of clothing as the person got closer to the couch. In the foreground is an oval table with a coupe of Craft magazines, a single flower in a vase, and a watercolor painting with paints and brush out. The painting is upside down to the viewer, and it reads "Sleep deeply (and often)."

Post Shower

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A black and white illustration of a person with long, kinky hair lying in bed with a wrist brace on, blanket pulled up to their face, exposing just their hand resting on their pillow and their eyes, fast asleep. To their left is an air humidifier going and billowing soft clouds of water vapor into the air that floats toward them slightly. On the floor is a thin carpet, topped with a very fluffy rug under their bed; spilled over the rug and carpet are a pair of used socks, a smartphone that looks like it fell out of their hand while sleeping, a sweater with a spoon on it, and a pair of shorts crumpled at the foot of the bed. There's a tall bookshelf across from the bed, where lie several books on multiple shelves, a plant whose leaves cascade down, some storage boxes, and a large amethyst geode that serves as a planter for a succulent. Behind the shelves is a potted snake plant resting on a three-legged stool with a lacrosse ball at the base of its legs. Leaning against the wall and under the heavily curtained window, there is a cane, and above that, partially hidden by the curtains, is another potted plant, sitting in the window sill where we can see a flurry of rain or snow out the window. A single line of stringed twinkle lights is hung in a romantic, casual way, and they're glowing softly. Finally, tucked behind the bed on the right, is a large fiddle leaf fig tree, peeking out from the edges of the illustration and reaching toward the window. Everything in the piece is partially hidden by something else in the piece, a reference to the illustration's theme of "Invisible Illness."

Hidden

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